We left Kyoto and arrived at Nachi Taisha Shrine after five hours.

We were already late and the performance was about to start, but we just in time to hear the chief priest’s opening speech. The Noh play was originally scheduled to be performed outdoors next to a waterfall, but unfortunately, due to rain, it was held in the main hall, and tents were set up for the audience.

The crackle of the fire burning at the side of the stage and the sound of rain added another level of magic to the already enchanting atmosphere.

The beginning of the performance is designed to allow the young narrator to set up the story and give a clear overview using modern language, which I felt was a nice consideration for the audience.

The name of the play “Jinmu”, is based on a myth about the emperor Jinmu, who is said to have established the Yamato royal authority.

A traveler encounters the spirit of Emperor Jimmmu and the Yatagarasu, and a story is told through dialogue between the traveler and the Emperor, who came to rule Japan.

As the rain got stronger, the climax of the play saw Emperor Jinmu leap from the steps of the stage, landing with a loud thud on the stone paving, much to the surprise and excitement of the audience who responded with loud cheering and applause.

It was our first time seeing a Noh performance, but we were completely mesmerized by how compelling every word and movement was in telling this ancient story. This reminded us that Noh, a symbol of Japanese culture, is an art form that should be increasingly shared and enjoyed by all.