Today, through our connection with Noh actor Tatsumi Manjiro, we went to see the final performance of the “Sotatsu” at the Noh Theater in The Atami MOA Museum.

MOA is famous for this blue tunnel, and after climbing several levels, the exhibition hall is at the top. The Noh stage is also on the top floor.

We had the best seats available, in the front row and center of the Noh theatre stage.

We were amazed to find such an intricately constructed Noh stage on the top floor of MOA.

The play is a silent, songless performance that combines ballet, contemporary dance and Noh.

The story focuses on a genius Edo painter, Sotatsu, who is approached by the master calligrapher Hon’ami Koetsu, an overwhelming presence in the art world of time. Koetsu approaches Sotatsu with the power of beauty, inspiring him to bring his art to even greater heights of beauty. Sotatsu’s signature piece, ‘The wind and Thunder Gods’ appears on stage in a fantastical way, wowing the audience. It’s an extremely difficult theme that has never before been attempted until now!

When Honami Koetsu appears in the Noh play, among the world-class high-level dance expressions, the venue is filled with excitement and the audience feels the weight of his presence. It is an incredible power, even though there are no words.

Take a commemorative photo with the wind god and thunder god.

We were truly moved, once again experiencing the mystique and power of Japanese culture coming through this amazing art form. A testament to the rich spirituality of the Japanese, this was a truly special experience.

Afterwards, we were invited to a social gathering at Hotel Grand Bach.

Finally, we enjoyed a pleasant chat on the terrace with the backdrop of the panoramic view of Atami city behind us.

We were surprised at how young all the dancers were. We truly felt that we want to continue supporting these young people who are promoting Japanese culture and arts in a modern way.